22.2
Then she sees the inner shape of the Nephilim. Not the part she’s
standing in front of, the over-tall, flesh-and-blood figure with the beautiful
eyes and a scent you could drown in. Beneath that exterior, beneath the
creature sporting the paint-and-charcoal vitiligo skin; is an even more
beauteous one composed of two disparate sets of DNA hammered together like tungsten
and copper. One half of him is angelic, sharp and luminous, glowing with the
inner light of Heaven’s first architecture and the other human; soft, warm and
full of possibilities, yearning and free will. The two halves do not bond well;
their edges are sewn together in a manner Frankenstein would have discarded as
impractical. Despite this, they coexist. Outwardly they are as harmonious as keys
on a piano but inwardly they bicker like two racoons with one slice of pizza.
Roisin can feel the tension as tight as a loaded crossbow. The
Nephilim is always on the verge of tearing itself apart but never does. It is
built to hold contradictions. It is the living equivalent of an aircraft carrier,
part warship and part cargo delivery vehicle. This is why it can hold her
mantle and does so with neither strain nor complaint. It has no fear of the
Horse because the horse cannot break it.
The Shape of the Horse inside the Nephilim is not an animal
in the true sense but a vehicle of her own spirit, pared away like the skin
from an avocado, although in such a metaphor, she would be the outer peel and
the horse would be the meat she used to contain. Within the horse resides the
Hunger, the Balance and the Justice of Famine; a force that keeps the world
from collapsing under its own abundance. In the horse resides the Balance of
the Earth, and thus has it always been. Eden could only exist while much or the
world outside its gates remained barren. Eden was the gravity well of original
wealth, causing all of abundance to fall inside its star, but once that gravity
well was flattened, by one of its attendant caretakers revealing its secret,
Eden became doomed; a collapsing probability even Schrödinger would have felt
uncomfortable about.
Now her horse rests inside the Nephilim like a sleeping star
ready to go supernova. It does not call to her or need her like it did when it
tried for fit inside Paul, but it remembers her, and in that remembrance she
can feel a sharp needle of incompleteness, the memory of longing, the pang of
regret.
And in that memory, she finds a flavour of something she
cannot name. She runs her consciousness over it like a child’s tongue around a gobstopper.
The taste is not that of longing, for she knows that bitterness too well and
would recognise it in an instance. Neither is it loss, for she had had years of
its acrid bite even before she fully understood why she felt so sad all the
time after her father and brother went out of her life.
What she feels is completeness and it all but brings her to
her knees.
The Nephilim remembers the Horseman. Not just her, as an individual,
but the whole of the angel known as The Horsemen, before they were split into
four separate parts, before they became monsters, before they became the
heralds or the world’s death. It remembers them as the archangel Araksiel, the
distributor of Balance
She sees the Four through the Horse’s memory as a complete being,
each component part as disparate and as harmonious at the Nephilim himself. As
Araksiel, they kept the world steady before Heaven wrote its laws, they shaped
the world into its quarters: East, West, North and South; the Four Quarters who
were made not to end the world, but to keep it in check, like a spinning top
never coming to a stop at the end of a now-obscure film. She sees their symbol
written in the book of the Creator: War as a mighty X cutting through chaos; Death
as a reversed T to channel the souls of the world toward Heaven; Pestilence as
the twin circles of Fruitfulness and Decay, each a part of the complete cycle and
Famine, the hollow circle to enclose them all. Perfect and all-encompassing. Roisin
can see herself as that circle. Dormant and incomplete, perhaps, but still part
of the whole, still present, still recognised, still the one with a quarter-dominion
of the world around her.
And still as necessary as Finish is to Start.
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