21.2
The desire of the Nephilim is nothing like the horse’s
hunger. The horse pulls like gravity — inevitable, ancient, cold; with a need
to suck everything down to satiate its eternal hunger but the Nephilim pulls
like breath — slow, steady, patient; the long wait of a fisherman at the edge
on an almost-empty pond, knowing there will be an end to the waiting but as
patient as the day is long. The Nephilim is a presence that has waited
centuries and can wait centuries more.
But now it has found a quarry worth escaping its prison form
and is reaching out not for Roisin but for the mantle. The Horse of Famine that
was currently tearing Paul into pieces easier than paper into confetti.
She can feel the pull of a thread through the air, a soft,
steady tug that bypasses her entirely and goes straight to the hollow inside
Paul.
Paul gasps as it pierces his back, bucking and arching as if
he had already accepted the burden Fate had dealt him. His fingers clawed at
the floor as the horse’s moan crept past his lips once more, but Roisin sees
something new in his torment — a shift, a change, a direction. The horse inside
him is no longer straining to reach her, consuming part of Paul as it battles
for control of their shared flesh.
It has taken a new direction, drawn toward the Nephilim like
a fish caught securely on its line. Whether it agrees with this new direction
doesn’t seem to be relevant. The Nephilim merely stands in the living room
doorway, a vortex of energy around him – for it is most distinctly a male –
pulling the horse out of Paul as easily as a child’s hook-a-duck at the local
funfair.
Her knees almost buckle as a wave of relief hits her. Sharp,
dizzying, almost painful. A metazoic bricked wrapped in a sliver of soft linen
with a painting of the King on it, because for the first time since Paul
absorbed the horse, she sees a way out that doesn’t end with her becoming
Famine. A way out that neither kills him nor opens the Seals of Revelation.
Then, like the razor blade inside a sweet, red apple. the
fear sweeps over her, because the Nephilim are not saviours. They are not
allies who have joined a fight at the last minutes to claim the lion’s share of
the glory. They were hidden from the Creator for a very good reason. They were
condemned by Him for a reason. They were the giants of Biblical times. The offspring
of angels and the daughters of Eve. They are the natural rulers of the earth,
feared by all those who have ever been native to these lands.
And one of them is calling her horse.
Finally, a sliver of understanding shines a candela of light
onto the maelstrom of her despair. The Nephilim can carry the horse without
breaking, just as she could. It can
carry it without fracturing apart; without compressing its own soul like a condensing
star absorbing light. Since they were a combination of angel and human; built
to withstand the weight of Heaven and the fragility of Earth. They can take the
horse from Paul and keep her hidden from the angels so that the seals remained
closed and the world can continue. The angels can go back to filching whatever
fragments they can keep hidden and everything can go on as before.
Roisin’s breath shakes. This is the third path she didn’t
know existed.
Only then does the horror roll over her, because the Artist
is smiling. He is neither horrified nor surprised but pleased. He knew this
would be the outcome of all this. He wanted it. He engineered it. He never wanted
Roisin to take the mantle of Famine, he never cared about Paul living or dying.
He wanted the Nephilim, to rise, the Hidden Ones to awake, the Giants to walk
upon the world once more, though remaining obscured from the sight of the
Creator. She feels herself shiver as cold fear runs along her spine. “No…”
But the pull from the doorway strengthens, a fish on the
line, being reeled toward the net as the Nephilim straightens, the flesh
tearing and bone cracking as its chest opens to nestle the prize in it bosom.
Roisin reaches out instinctively, but the Artist’s hand closes gently around her wrist. “Let it choose,” he murmurs.
Roisin’s heart slams against her ribs.
Because it already has.
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