3.11
Roisin
walked into the room. At the far end, by the west-facing window, the floor was
covered in an old sheet upon which stood a four-legged wooden pyramid, braced
every thirty centimetres with a wooden shelf and supporting a flat surface.
Mounted on top of this was a metal turntable with pegs to allow to be fixed in
place. A small side table held a selection of heavy-duty metal chisels, a
smaller number of hammers and mallets and a Bluetooth speaker connected by a
USB cord to a socket under the gas fire. Mounted on the turntable was a block
of stone with a face half-emerged from the round-edged cube. Around the stand
were piles of dust and rubble, and a large plastic bin of the sort her mother
used for weeding in the garden had been half-filled with chippings. She
approached the sculpture. "You don't always work at the studio,
then."
"No."
Paul crossed the space to his work and ran a thumb over what would be the
figure's cheek when it was finished. "I took advantage of there being
nobody here. I can stop if you like. I can get a bit focused when I'm
working."
"No,
it's okay. I don't have a problem with you working here. It's not like I have
any furniture I want to store."
"Thanks."
His hand moved in an uncertain wave. "And if you want to work here, that's
fine, too." He motioned to the wall by the door. "You could put a
drop cloth and easel there."
"No,
but I could use a space in the kitchen." She released the brake and
rotated the sculpture, admiring the smooth surface of the cheeks and emerging
eye compared to the deep rivets left in the gouged stone around them. It
reminded her of someone, but she couldn't fit the few details on the sculpture
to any image in her head. "Who is it going to be?"
Paul
shrugged. "No-one in particular. It'll probably crack before I finish it,
anyway." He traced a finger across the back of the bust. "Do you see
this blush of darker brown running along here? That's a seam of iron inside the
stone. I've got to be massively careful around this bit or the whole thing with
crack apart like a choirboy under a drunk priest."
She
stared at him as he blushed, the reddening cheeks causing his freckles to stand
out like spackled paint out of a near-empty aerosol under a Laverstone bridge.
"Sorry,"
he said. "I should engage my brain before my mouth rolls away."
"It's
okay. I'm not religious." She shrugged, taking a last, long look at what
had been revealed of the face. "Not anymore, anyway."
"Nor
me, as you can probably tell." Paul laughed as he picked up a piece of
dusty canvas an covered the sculpture with it. "Unless you were to ask my
mum, because I still have to pretend to be a good Catholic lad whenever I go
home."
"Where's
home?" The bust looked more sinister covered with a cloth than it had with
just the eye and cheek visible. She had the impression it would breathe if she
looked away. She shook her head free of the notion. Too much television in her
past.
"Listowel
in County Kerry. It's fine if you haven't heard of it. Its only redeeming
feature is it's away in Ireland and too far to go home for the weekend."
"I
don't even know where County Kerry is," she confessed.
"Oh.
If you think of Ireland as a clock face, Kerry's about at seven-thirty, and if
Kerry was a clockface, Listowel is at two o'clock." He shrugged.
"It's about as memorable as a fist-sized lump of granite in a quarry. Its
main tourist attraction is the Teampaillin Bán, which says a lot about the town
right there."
Roisin
shook her head. "I don't know what that is."
"Any
you with an Irish name?" Paul laughed and shook his head. "It's the
famine graveyard, where the Brits dumped all the bodies when the left. Naught
but a green field, now, covered in metal detectorists in the summer and sheep
the rest of the year."
She
pursed her lips, trying to look neither shocked nor amused. "Sounds
fabulous."
"It
is that." He nodded solemnly. "On the plus side, we threaten to dig
it up whenever a Brit tries to buy a house in the area."
"Why?"
"To
scare them off, like. We tell them it's where we buried the plague victims,
too." He grinned suddenly. "Do you fancy a cup of tea, then?"
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